Top 10 Richest K-Pop Girl Groups in 2025 Ranked

K-pop’s money map keeps shifting: streaming, mega-tours, fashion collabs, acting gigs and founder-level business moves now all feed a group’s bank account. Exact net worths are private and estimates vary, so this list ranks the Top 10 richest K-pop girl groups in 2025 by their combined earning power — a mix of recent touring revenue, catalogue earnings, endorsements, solo activities and public estimates from media and industry trackers. I cite the most useful public estimates for the big players; treat dollar figures as approximate snapshots rather than audit-grade facts.

How I ranked them

I considered (1) global touring and box office success, (2) solo member earnings (music, acting, brands), (3) large endorsement deals, (4) catalogue/streaming income, and (5) frequent media estimates (Forbes/major outlets, regional press). Where public data is thin, I flagged that fact. Now — the list.

1. BLACKPINK — still #1 (YG / global powerhouse)

Few groups combine stadium tours, luxury-brand deal,s and solo pop superstars like BLACKPINK. By 2025 their combined worth is widely estimated to be the highest among girl groups thanks to massive world tours, individual endorsement deals (luxury houses, perfume/beauty), and successful solo releases. Media roundups in 2025 commonly place BLACKPINK at the top of girl-group wealth rankings.

Why they’re richest: repeated stadium tours, solo careers (Lisa, Rosé, Jennie, Jisoo) with lucrative endorsements and global streaming numbers.

2. TWICE — JYP’s long-running cash machine

TWICE’s consistent album sales (both Korea and Japan), arena/world tours, and strong endorsement roster keep them near the top. Their large and loyal fanbase across Asia and sizable discography generate steady income from merch, touring, and local brand deals. Earlier industry reports and regional media have estimated TWICE as one of the wealthiest female groups.

Why they rank high: huge physical album sales in multiple markets (especially Japan), lucrative touring cycles, and steady endorsements.

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3. Girls’ Generation (SNSD) — legacy value and solo income

Though their group activities are less frequent than newer acts, Girls’ Generation’s long catalogue and hugely successful solo careers (Taeyeon, Yoona, Yuri, etc.) give them enormous cumulative value. Many members bring in major endorsement fees, acting salaries and royalties that keep GN’9 high on wealth lists. Established outlets have repeatedly cited members’ strong solo net worth as proof of the group’s combined financial clout.

Why they rank high: catalog royalties + decades of career earnings + high-paying solo endeavors.

4. RED VELVET — mature catalogue + steady endorsements

Red Velvet’s earnings come from solid album sales, frequent endorsements, and solo activities from members (modeling, acting, brand ambassadorship). While not on the same global stadium tier as BLACKPINK or TWICE, their consistent output and SM Entertainment backing make them one of the richest girl groups by combined assets.

5. aespa — the new multinational contender

aespa (SM Entertainment) rapidly transformed into a commercially powerful act — big album sales, brand deals, and a visible role in SM’s longer-term business strategy (including stock market sensitivity when big comebacks land). By 2025, their sales and endorsement momentum will have firmly established them among the wealthiest new girl groups. Forbes-style news about SM and aespa’s sales highlights their commercial weight.

Why they rank high: breakout global hits, fast-growing endorsement list, and strong corporate backing.

6. (G)I-DLE — creative control = long-term value

(G)I-DLE’s members, especially the group’s primary songwriter/producer, have contributed to a high-margin revenue engine: original music, songwriting royalties, and international concerts. Strong digital sales and a growing international fan base mean their combined financial footprint continues to rise. Public profiles and music-industry write-ups in 2024–25 show the group as a high-earning act among mid-tier girl groups.

7. MAMAMOO (incl. solo stars) — solo stars power the group wealth

MAMAMOO’s group brand benefits greatly from hugely successful solo careers (Hwasa, Solar). Solo endorsement deals, TV appearances and concert tours for members boost the group’s combined earning power — making them one of the richer female acts overall. Media coverage of members’ solo earnings supports this ranking.

8. ITZY — K-pop’s export machine

ITZY’s global tours, brand partnerships and strong streaming make them one of the better-earning younger girl groups. While still building decades-worth value, their frequent comebacks and international promotions put them in the top 10 by combined group power.

9. Apink / OH MY GIRL (tie regionally) — steady earnings & legacy catalogs

Groups like Apink and Oh My Girl have cultivated stable careers with reliable concert markets, brand work and solo projects. They often appear near the lower end of “top 10” lists because their earnings are steady and long-term rather than explosive. (Which of these lands at #9 vs #10 depends on which public estimate you consult.)

10. IZ*ONE (legacy value) / Girls in more-active markets

The last spot in a 2025 “Top 10” list often flips between legacy project groups or newer acts with breakout earnings. Annual charts and public reports differ: sometimes a re-formed project group or a band with a major Japan market push will take this slot.

Quick notes on methodology & accuracy

• Estimates vary widely. K-pop net worths are rarely audited publicly; media outlets mix reported contract numbers, endorsements, album sales, and secondary data to estimate wealth. I used consolidated public reporting, including regional press pieces and industry trackers. Where a single high-quality source exists (Forbes, major outlets) I prioritized it, but coverage remains uneven.
• Solo careers matter. By 2025, many groups’ value is dominated by one or two members’ solo deals (acting, huge endorsements). That’s why groups with strong solo stars (BLACKPINK, Girls’ Generation, MAMAMOO) often outrank younger groups with fewer solo earnings.
• Market shifts fast. A single massive world tour, a megabrand partnership, or a viral solo album release can reorder rankings quickly. Treat this list as a 2025 snapshot.

FAQs

Q: Are these numbers “real” net worths?
A: No — most totals are estimates calculated from public earnings (tours, endorsements, streaming, album sales) and media reporting. Labels rarely release exact splits, so public lists use the best available public data.

Q: Which girl group earns the most from endorsements?
A: BLACKPINK has been the leader in high-end luxury deals (LVMH-level ambassadorships and more), which drives huge endorsement income; other groups (TWICE, aespa) also secure high-paying brand deals regionally and globally.

Q: Do agency ownership stakes (shares in company) matter?
A: Yes. Members with stock/options or who have founded businesses (fashion, beauty) can increase personal net worth beyond music. Corporate moves (SM’s market performance tied to aespa success, for example) indirectly boost group value.

Q: Will a major comeback change the order?
A: Absolutely. Big world tours, solo smash hits or blockbuster endorsements in 2025–2026 can change rankings fast. For example, a stadium tour with sold-out dates across North America and Europe can add tens of millions to a group’s revenue in a single cycle.

Q: Where can I find the most reliable figures?
A: For best reliability look to Forbes (features on entertainment figures), respected regional outlets like South China Morning Post or major entertainment business coverage. Keep in mind even those outlets use publicly available estimates.

Final thought

K-pop’s richest groups in 2025 are less a reflection of single-year album sales and more a composite of global reach + solo lines of business + endorsements + touring. BLACKPINK and TWICE anchor the top because they convert cultural popularity into consistent, large revenue streams; legacy acts (Girls’ Generation, Red Velvet) and fast-growing newer acts (aespa, (G)I-DLE) follow closely thanks to catalogue value and breakout individual successes.